Bernhardt and other turn-of-the-20th-century female performers became leaders of and metaphors for changing sex relations, says UW historiographer Susan Glenn in her new book Female Spectacle: The repre sentation grow of Modern Feminism published by Harvard University Press. Bernhardt and her sisters in theater, vaudeville, tuneful reviews and musical comedy exercised a strong mold on public consciousness in the late nineteenth and too soon 20th centuries and in changing societal concepts of womanhood, Glenn believes. ?Bernhardt was the touchstone, the spectacle of spectacles. She gave women the power to restrict thei...If you want to get a in full essay, order it on our website: BestEssayCheap.com
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